Tuesday, April 30, 2013
Beethoven's "Missa solemnis"
While
composing his Missa solemnis,
Beethoven looked to the past. He
obtained a copy of the score to J.S. Bach’s unpublished B Minor Mass, and
studied the sacred music of C.P.E. Bach. After countless sketches and spiritual
preparation, Beethoven composed this work for large orchestra and chorus,
dedicating more time to it than any other of his works. Written simultaneously
with the Symphony No. 9, Missa solemnis
is considered one of the most significant mass settings in classical music.
Monday, April 15, 2013
Dvořák's "New World"
In
June 1891, Antonín Dvořák was invited to direct the newly-formed
National Conservatory in New York City.
Leaving four of their six children behind in Bohemia, Dvořák and his
wife made their new home on East 17th Street in cacophonous
Manhattan, just a few blocks from the new school. Through his diverse student body and the
advent of the polyrhythmic ragtime, Dvořák first encountered African American
and Native American music. He was
particularly taken with those cultures’ spirituals. He borrowed musical
elements from diverse popular sources for many of his compositions, including his
Symphony No. 9, From the New World.
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