Beethoven No. 7

The premiere of Beethoven’s Symphony No. 7 was perhaps his greatest rock-star moment. Buoyed by the excited troops in whose honor the concert was being performed, Beethoven “tore his arms with a great vehemence asunder ... at the entrance of a forte he jumped in the air” (according to orchestra violinist and composer Louis Spohr). The work’s explosive energy and Beethoven’s expansion of symphonic structures to emphasize certain key areas make Symphony No. 7 an important stepping stone on his path towards Romanticism.

Berg’s Three Pieces for Orchestra

In his Three Pieces for Orchestra, Alban Berg finally "graduated" from his studies with Arnold Schoenberg, and took his first giant step towards fulfilling his musical destiny.

Ravel La Valse

In 1906, Maurice Ravel made some sketches for a tribute to Johann Strauss, the Waltz King. By the time he got back to it, World War I had ravaged Europe, and Ravel's tribute had turned into something much darker.

Handel's Messiah

However you like your Messiah - big or intimate, modern or period, authentic or interpreted - when you listen you become part of an almost 300-year tradition of what may be classical music's most beloved masterpiece.

Bruckner Symphony No. 4

Bruckner's Symphony No. 4 "The Romantic" was a departure from his usual symphonic testaments of faith. It's a journey into the Age of Chivalry, of knights, quests, and - above all - the hunt.

Strauss: Metamorphosen

"Richard Strauss' Metamorphosen for 23 Solo Strings was his musical response to a life, and a world, gone to pieces."

Charles Ives Symphony No. 3 & 4

With 19th-century Americana spirit, MTT and the SF Symphony, pianist Peter Dugan, and the SFS Chorus’s musical candor and clarity add an evocative recording of Ives’s songful Symphonies Nos. 3 and 4 to the SFS Media label’s Grammy award-winning discography.