The Budapest Opera approached Bartók in March
1913 to suggest that he consider writing a ballet. Serge Diaghilev’s Ballets
Russes had visited Budapest in 1912, performing avant-garde works, including
Stravinsky’s
Firebird, that were received with great enthusiasm—an
enthusiasm that Bartók had not shared, since he was in the back-country
collecting folk songs. A year later, he commenced work on
The Wooden Prince,
finally completing the orchestration in January 1917.