On his conceptualization of
Rhapsody in Blue, Gershwin recalled: “It was on the train, with its steely rhythms, its
rattlety-bang that is often so stimulating to a composer . . . and there I suddenly heard—and even saw on paper—the complete construction of the rhapsody . . . I heard it as a sort of musical kaleidoscope of America—of our vast melting pot, of our unduplicated national pep, of our metropolitan madness.”